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CAST OF BRUJA. COURTESY PHOTO - MAGIC THEATRE |
Bruja – Years Best!
100 Saints – Pray for Them!
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Religious Mom Clings to her Priest son. Photo Kent Taylor |
BRUJA (The Witch)
By Luis Alfaro
This amazing, sizzling play
(based on Medea), is electrifyingly alive, and thrillingly memorable. We’ve all
seen the Greek Tragedy Medea many times – but this translation has an undertow,
that is tart as a cherry. There also are comic touches, that are iced with an
ironic edge.
What you get here – is a
masterpiece. There are moments of tenderness and unexpected betrayal. Men will
do anything for money. However, the money train crashes and burns a
relationship. Her hot Latin lover has given Medea two Children. The boys dress
the same, they love to play Soccer, but they will not live through the night
because their mother (Medea) is out to get revenge. Sabina Zuniga Varela (Medea)
is very upset and she is hell bent to destroy everyone in her family with her
fascinating Witch dances of the Palms.
Her housemaid, Wilma Bonet
(Vieja) is pure exhilaration. She is one of the most unexpected and greatest
discoveries on the stage. Vieja clings to the methods of the old Country. She
spiritually clears the space around Medea, and then places a hand on Medea’s
head, a ritual they have been doing forever. Medea and Vieja pray briefly in
whispers that are so secret that we can hardly hear what they are plotting.
The men are not left out of
this thrilling masculine world. They strip their shirts off to be ‘healed by
Medea”. She touches the tight firm body of “Aegeus” (Armando Rodriquez), as
Medea works her witchcraft to heal his body to get his wish to have a child
with his wife. And it worked.
This terrifically exciting
work by playwright Alfaro always has something spectacular to say in this
exquisitely mounted production.
This is Theatre that throbs
with life. Yes, that’s your pulse that you feel. If this show doesn’t move you
– then you have my condolences.
AS USUAL – THE MAGIC THEATRE
HAS COME UP WITH AN ASTOUNDING CAST: THEY ARE: Carlos Aguirre, Wilma Bonet,
Armando Rodriquez, Sean San Jose, Sabina Zuniga Varela – Daniel Castaneda/Daniel
Vigil – Gavilan Gordon-Chavez/Mason Kreis.
Fantastic Set Design by Andrew
Boyce. Great Costume Design by Alex Jaeger. Gorgeous Lighting Design by Eric
Southern and the Creative Sound is by Jack Rodriquez.
INDISPUTABLE DIRECTING BY”
Loretta Greco.
NOW PLAYING AT THE MAGIC
THEATRE @ FORT MASON
(((Lee Hartgrave has
contributed many articles to the San Francisco Chronicle Sunday Datebook and he
produced and hosted a long-running Arts Segment on PBS KQED)))
THEATRE RHINOCEROS PRESENTS
100 SAINTS YOU SHOULD KNOW
Oh ‘COME’ -- All Yee Faithful!
Stories about ‘Heartbreak’ are
not new but this production about love, a Priest and A young girl who thinks
she is cool, messes up her life and heart in a big way. Not to mention
religion. Could it be because of
‘Happy Pills?” And the answer is yes.
The play keeps us on the edge
of our seats and why a Priest (Matthew) is on leave from Church. He carelessly
left around some homoerotic pictures. The Church does not think that he should
have the pictures, which really are just Art photos from a collection of famed
George Platt Lynes photos from an Artsy, tasteful book - nothing shocking there
in this day and age.
Then the Priest moves in with
his overly religious Mother (Colleen). She is so religious that is it
completely unbearable. Why her son Matthew stays with her, is beyond belief. To
me – she is a way over the top with the religious business. Just short of
climbing up on the cross. Where are the nails?
Matthew’s Dad -- also an Irish
Catholic Devotee - suspects that Matthew is Gay. We never did find that out for
sure, but at times he comes close to being bi-sexual. Then there is the
inquisitive boy next-door. He asks the Priest one afternoon – are you a “Fag”?
– I heard that you are. Matthew answers – “No – I’m not!” Turns out. The young
man is really searching for an answer – because it is him that is confused over
his sexuality.
This play has many strange
revelatory moments in it that will appreciate over time. It’s doesn’t get any
more wistful and meditative. You could say that this is a coming of age story
about boy meets girl and boy would rather meet another boy or man. The girl is
drowning in booze and gets the boy to take way too many swigs. It doesn’t have
a pleasant ending to that part of the story.
This very sensitive play about
excessive morals between the two youngsters is a big mistake on their part. The
stars (and they are STARS) flesh out some of the best extraordinary Acting
around. They loom large in the small stage, to bring us the most exhilarating
story telling around.
The Church will hold on to a
Tragedy that saddens everyone, while they hold onto the cross. I see it as a
powerful indictment of religion.
JOHN FISHER (Director) has
produced a bold, lucid and insightful version of this play.
THE WHIP SMART ACTORS ARE: Ann
Lawler, Wylie Harman, Kim Stephenson,
Tamar Cohn and Michael Rosen. They made this “Gripping” play - “A
Triumph!”
THE KATE FODOR PLAY WILL RUN
THROUGH JUNE 17 at The Thick House at 18th Street @ Arkansas St. in
SF.
RATING: FOUR GLASSES OF
CHAMPAGNE!!!!
(((Lee Hartgrave has
contributed many articles to the San Francisco Chronicle Sunday Datebook
Section and he produced a long-running Arts Segment on PBS KQED)))
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